Seconda prova-.-

[Lorenzo]

Tema d'Inglese, io scelsi la traccia di attualità, la traccia era questa:

"Tra il Sud e il Nord del mondo esistono grandi squilibri di natura economica e sociale.

Illustrane le ragioni, con riferimenti all’attuale dibattito sui rimedi possibili per diminuire le distanze tra paesi sviluppati e paesi sottosviluppati."

Miles Insulae

[Lorenzo]

sono molti i pescaresi che difendono quell'abominio di città?

Moltissimi.......maledetti!!!

Miles Insulae

[Lorenzo]

Io fui l'unico a fare quel tema i miei compagni fecero tutti l'analisi testuale(che io ho sempre odiato), c'era un passo tratto dal 1984 di Orwell sul grande fratello, come da me predetto in qunto quello fu l'anno della prima trasmassione televisiva sul grande fratello in Italia.

Miles Insulae

[Lorenzo]

Eccolo il brano:

TESTO LETTERARIO– LINGUA INGLESE

(comprensione e produzione in lingua straniera)





…It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the wild wind, slipped quickly through the glass doors of Victory Mansions, though not quickly enough to prevent a swirl of gritty dust from entering along with him.

The hallway smelt of boiled cabbage and old rag mats. At one end of it a coloured poster, too large for indoor display, had been tackled to the wall. It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features. Winston made for the stairs. It was no use trying the lift. Even at the best of times it was seldom working, and at present the electric current was cut off during daylight hours. It was part of the economy drive in preparation for Hate Week. The flat was seven flights up, and Winston, who was thirty-nine and had a varicose ulcer above his right ankle, went slowly, resting several times on the way. On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall. It was one of those pictures which are so contrived that the eyes follow about when you move. BIG BROTHER IS WATCHING YOU, the caption beneath it ran.

Inside the flat a fruity voice was reading out a list of figures which had something to do with the production of pig-iron. The voice came from an oblong metal plaque like a dulled mirror which formed part of the surface of the right-hand wall. Winston turned a switch and the voice sank somewhat, though the words were still distinguishable. The instrument (the telescreen, it was called) could be dimmed but there was no way of shutting it off completely. He moved over to the window: a smallish, frail figure, the meagreness of his body merely emphasized by the blue overalls which were the uniform of the Party. His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended.

Outside, even through the shut window-pane, the world looked cold. Down in the street little eddies of wind were whirling dust and torn paper into spirals and though the sun was shining and the sky a harsh blue, there seemed to be no colour in anything, except the posters that were plastered everywhere. The blackmoustachio’d face gazed down from every commanding corner. There was one on the house-front immediately opposite. BIG BROTHER IS WATCHING YOU, the caption said, while the dark eyes looked deep into Winston’s own. Down at street level another poster, torn at one corner, flapped fitfully in the wind, alternately covering and uncovering the single word INGSOC. In the far distance a helicopter skimmed down between the roofs, hovered for an instant like a bluebottle, and darted away again with a curving flight. It was the police patrol, snooping into the people’s windows. The patrols did not matter, however. Only the Thought Police mattered...



Il testo è tratto da George ORWELL, "Nineteen Eighty-four"



PL0A - ESAME DI STATO DI LICEO LINGUISTICO



Tema di: LINGUA STRANIERA



TESTO LETTERARIO– LINGUA INGLESE

(comprensione e produzione in lingua straniera)





1. ANSWER THE FOLLOWING QUESTIONS:

1.1. Where is Winston Smith’s flat situated?

1.2. Why cannot he use the lift?

1.3. What kind of pictures is the one shown on the poster?

1.4. What did Winston Smith hear when he entered the flat?

1.5. What is the "telescreen" and why is there one in each flat?

1.6. Could it be turned off?

1.7. What are "telescreens" for?

1.8. How does the police patrol carry out its task?



2. SUMMARIZE the content of the passage.



3. Composition: "Can new technologies become oppressive of individual liberties? Discuss."

Miles Insulae

[Kowalsky]

che scuola è? Tecnico indirizzo meccanico?

tecnico indirizzo elettrotecnico, po icambiai del tutto strada, ma ti forma un buon modo di ragionare

[er uagh]

Proprio ieri,la versione di greco di Plutarco...

[MiladyN]

matematica...

studio di funzione...
problema con solidi inusitati
dimostrazione grafica di un teorema.....